11m •
2022
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
2016•
5.8
2018•
3.5
2020•
0
2023•
0
1996•
6.7
2009•
7.3
2018•
0
2020•
1.0
2021•
0
2016•
0
2022•
0
2003•
0
2018•
0
2012•
0
2013•
9.0
2015•
5.4
2005•
4.5
2005•
5.0
2015•
6.0
Budget: $0
Revenue: $0
